Jenny Farrell reviews a new German film about the rise of fascism in Germany.
Winner of the Golden Globe for best foreign language film, In the Fade by Turkish-German director Fatih Akin, is one of the more important new political films on the state of Germany today.
It is loosely based on the NSU (National Socialist – i.e. fascist – Underground) trials, which were concluded this summer after dragging on for over five years. On trial was a group of neo-Nazis who had randomly killed nine people with a migrant background, and also a policewoman; undercover police officers were involved to the point of colluding with the killers. The most notorious of the neo-Nazis and the person on whom the trial focused, is Beate Zschäpe; two of her accomplices had died in the meantime. Only Zschäpe received a life sentence.
Akin pares down the actual events and trial to make his point. He creates a plot around one family, the assumptions of the police and the mechanisms of the court. Diane Krüger excels in her role as the victim’s widow seeking justice. Connections between the German fascists and Greece’s Golden Dawn party represent a growing network of rightwing extremism in Europe. The film is alarmingly relevant.
Where it falls behind real life is that things are even worse in actuality. The film stopped short of showing undercover state involvement, the failure of the legal system to bring this to light in the trial. Another question that arises as we see a terrifying increase of neo-Nazi presence on the streets and parliament of Germany, is how is this rise of fascism possible again? Where does it come from? How can it infiltrate society once again? Why is it not stopped? How can it be stopped? The film offers no answers to these questions. But it is a cinematic contribution to such a discussion and stirs viewers to think about racism, fascism and highlights the acute need for action to stop this.
The film has recently been released in its English version on DVD.
