{"id":16745,"date":"2024-04-16T11:21:47","date_gmt":"2024-04-16T10:21:47","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/the-true-story-of-a-sable-maid-s-appearance-in-the-18th-century\/"},"modified":"2024-04-16T11:21:47","modified_gmt":"2024-04-16T10:21:47","slug":"the-true-story-of-a-sable-maid-s-appearance-in-the-18th-century","status":"publish","type":"post","link":"https:\/\/www.gfdesign.co.uk\/culture\/the-true-story-of-a-sable-maid-s-appearance-in-the-18th-century\/","title":{"rendered":"The True Story of a Sable Maid\u2019s Appearance in the 18th Century"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16742\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833.jpg\" alt=\"\" width=\"1297\" height=\"865\" srcset=\"https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833.jpg 1297w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-600x400.jpg 600w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-300x200.jpg 300w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-441x294.jpg 441w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-768x512.jpg 768w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-1x1.jpg 1w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/4e36ad3b6ff91101c235b6229b2dd833-10x7.jpg 10w\" sizes=\"auto, (max-width: 1297px) 100vw, 1297px\" \/><\/p>\n<p><em>This poem was commissioned by Culture Matters as an act of solidarity with Francesca Amewudah-Rivers (above) who has recently suffered racist abuse for having the audacity to play Juliet in &#8216;Romeo and Juliet&#8217;. See\u00a0<a href=\"https:\/\/www.theguardian.com\/society\/2024\/apr\/10\/too-much-to-bear-black-actors-condemn-racial-abuse-of-romeo-juliet-star\">here<\/a>. For the story of Rachael Baptiste, the black singer and actress who played Juliet in the eighteenth century, see <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rachael_Baptist\">here<\/a>.<\/em><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>The True Story of a Sable Maid\u2019s Appearance in the 18th Century<\/strong><\/span><\/p>\n<p><em>by Jenny Mitchell<\/em><\/p>\n<p>My skin\u2019s not black as night but close, yet I played Juliet. When chains were held <br \/>towards my feet, I danced across the stage \u2013 a quadrille at a ball \u2013 and though <br \/>his skin is white \u2013 not dove but tanned, Italia close to Africa \u2013 my love <br \/>was booed into the wings when first he saw my face and said \u2013<\/p>\n<p><em>It seems she hangs upon the cheek of night, <br \/>Like a rich jewel in an Ethiope\u2019s ear;<br \/>beauty too rich to use, for earth too dear! <br \/>So shows a snowy dove trooping with crows \u2013<\/em><\/p>\n<p>The rest was lost as slow hands clapped till rebels in us both said <em>Kiss<\/em>. A long, slow <br \/>grind with hips as well, my Romeo alert between the folds of a white dress, <br \/>diaphanous enough, they said, to show I was no virgin child but broken <br \/>by a team of men as all black girls are damned as whores.<\/p>\n<p>Those villains in the audience threatened to bombard the stage, then pull it down.<br \/>And with the weight of envy on their heads, they also called for blood, <br \/>expecting mine to run black as the heart they said I had. To save our lives, <br \/>my Romeo and I ran to the balcony where he adored me more with this \u2013<\/p>\n<p><em>But soft! What light through yonder window breaks?<br \/>It is the east and Juliet is the sun!<br \/>Arise, fair sun, and kill the envious moon,<br \/>Who is already sick and pale with grief.<\/em><\/p>\n<p>We gulped a drink, but black or close enough is never weak so death <br \/>was not our fate. No poison in the end but Romeo and me asleep. Believing <br \/>we were robbed of life, the audience walked from the hall with howls <br \/>that echo still, insisting on a clear divide when white descends from black.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This poem was commissioned by Culture Matters as an act of solidarity with Francesca Amewudah-Rivers (above) who has recently suffered racist abuse for having the audacity to&#8230;<\/p>\n","protected":false},"author":575,"featured_media":16742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[3093,1875],"class_list":["post-16745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2","tag-francesca-amewudahrivers","tag-romeo-and-juliet"],"_links":{"self":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/575"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=16745"}],"version-history":[{"count":0,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/16742"}],"wp:attachment":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=16745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=16745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=16745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}