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Black Hair<\/strong><\/span><\/p>\n by Jenny Mitchell<\/em><\/p>\n Entering the gallery, you\u2019ll see it in a case, Nothing indicates why it was kept, Was the owner male or female \u2013 afro worn as crown Is she screaming still, running through the woods, People shuffle past the case to see British History is Black \u2013 Black Hair<\/strong><\/p>\n Writing about Black hair is like using a language I barely understand, one that speaks of culture, status and the unbearable loss and legacies of British transatlantic enslavement.<\/p>\n Haircare for Black people can take time and includes, at its best, an aspect that is meditative and bonding, allowing for stories to be created and histories shared. However, time (or free time) to enjoy this process was one of the many things stolen from the enslaved ancestors who survived enforced labour on Caribbean plantations for only seven years, on average. It seems clear that in such harsh circumstances there would have been very little time for leisurely haircare and familial bonding.<\/p>\n Was a whole language and map of well-braided hair destroyed? Was damage also done to the contents of the mind, leading to chaos and confusion about self-esteem? Does this destruction still impact Black people\/family dynamics? How can financial reparations for enslavement, even if it ever became available, take this into account?<\/p>\n Besides all this there are huge fortunes to be made as a result of the dysfunction unleased on Black hair by an outrageous history. The fake hair industry is worth billions worldwide, and so we have the situation where Black women buy the hair of Asian women from predominantly white-owned companies, whilst patriarchal armies of white officials seek to ensure Black people do not wear their natural hair to school or in the workplace<\/a>.<\/p>\n My poem Black Hair<\/em> tries to bear witness to this historical chaos, and to honour a natural source of power, connection and love.<\/p>\n The poem\u00a0is in the forthcoming pamphlet <\/em>Family Name, published by Nine Pens.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Black Hair by Jenny Mitchell Entering the gallery, you\u2019ll see it in a case, dark strands gathered close, size of a fist,taken from a Negroid head. Long-denigrated…<\/p>\n","protected":false},"author":575,"featured_media":15651,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[2843],"class_list":["post-15652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2","tag-black-history-month"],"_links":{"self":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/15652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/575"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=15652"}],"version-history":[{"count":0,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/15652\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/15651"}],"wp:attachment":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=15652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=15652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=15652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
dark strands gathered close, size of a fist,
taken from a Negroid head. Long-denigrated
in the West<\/em> a sign explains \u2013 Known in the past
by several names<\/em> \u2013 Bush, Wool, Nest.<\/em><\/p>\n
low temperature maintained, no air
beyond the seal, light so dim I must bend down
in order to look close. Did hair fall from a head
blighted by disease, gathered up like gold?<\/p>\n
or Black Power sign? Did a master pull it out,
punishment for burning crop? At night,
a woman screamed, scalp alarmed,
forced to make this sacrifice.<\/p>\n
bald patch covered up? Or standing firm
in jail, blood trickling down her face?
Does she demand her hair returned,
placed back on her head, a self-made wig?<\/p>\n
much grander sights \u2013 Turner\u2019s painting
of the Zong<\/em> \u2013 black hands raised above the foam.
Who cares to contemplate the hair
that could be mine \u2013 Bush, Wool, Nest.<\/em><\/p>\n