{"id":14314,"date":"2021-12-26T10:08:59","date_gmt":"2021-12-26T10:08:59","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/nadir-poems-about-migrant-children\/"},"modified":"2021-12-26T10:08:59","modified_gmt":"2021-12-26T10:08:59","slug":"nadir-poems-about-migrant-children","status":"publish","type":"post","link":"https:\/\/www.gfdesign.co.uk\/culture\/nadir-poems-about-migrant-children\/","title":{"rendered":"Nadir: Poems about migrant children"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-14312\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63.jpg\" alt=\"\" width=\"327\" height=\"500\" srcset=\"https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63.jpg 327w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63-196x300.jpg 196w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63-288x441.jpg 288w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63-1x1.jpg 1w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2021\/12\/f8b9ec2867a1c86db07cf90ce8261b63-7x10.jpg 7w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/p>\n<p><em>3 poems from \u2018Nadir\u2019 by <strong>Laura Fusco<\/strong> translated by <strong>Caroline Maldonado<\/strong>:<\/em><\/p>\n<p>The following poems are taken from a forthcoming collection, <em>Nadir<\/em> by Laura Fusco, the sequel to <em>Liminal<\/em> (Smokestack Books 2020) which was a recipient of the PEN (UK) Translates Award 2019. The first collection powerfully represented the experiences of migrants in camps in France and Italy. <em>Nadir<\/em> has a focus on migrant children. It is due to be published by Smokestack on 1 January 2022.<\/p>\n<p><strong>Laura Fusco<\/strong>, poet and stage director, has been translated into 5 languages and published in the US, UK, Europe and Argentina. Her publications include <em>Aqua nuda<\/em> (2011), <em>Da da da<\/em> (2012),<em> La pesatrice di perle<\/em> (2015),<em> Limbo<\/em> (Unicit\u00e9 2018), <em>Liminal<\/em> (Smokestack Books, 2019 English PEN Translates Award), and\u00a0<em>Nadir<\/em> (Unicit\u00e9 2020). She has performed her poems in various countries and festivals and they are studied in universities and music conservatories.<\/p>\n<p><strong>Caroline Maldonado\u2019s<\/strong> Italian translations published by Smokestack Books include: <em>Your call keeps us awake<\/em> (2013); <em>Isabella<\/em>\u00a0(2019) and Laura Fusco\u2019s poems in <em>Liminal<\/em> (2020) and <em>Nadir<\/em> (2022). A collection of her own poems, <em>Faultines<\/em>, will be published by Vole Books (2022). <br \/><span style=\"font-size: 14pt;\"><strong>\u2003<\/strong><\/span><br \/><span style=\"font-size: 14pt;\"><strong>Imagine<\/strong><\/span><\/p>\n<p>An ochre and gold snake, red pink fuchsia,<br \/>orange, yellow, green, light blue, indigo, violet.<br \/>As fast as clouds, highly-coloured contrails.<br \/>No wall will do it.<br \/>When they have to keep still in a square metre of fever or on the cot they get bored <br \/>close their eyes and imagine.<br \/>When they have stomach-ache, nightmares, are frightened<br \/>or angry<br \/>they turn away from each other close their eyes and imagine.<br \/>In between what they imagine and reality<br \/>there\u2019s a space they know and run towards without stopping,<br \/>even when they\u2019re doing nothing,<br \/>even when they don\u2019t know it and cry or play or are just<br \/>afraid.<br \/>After so many steps<br \/><em>now that I\u2019m only one step away from<\/em><br \/>No wall will do it.<br \/>Even if their struggle is<br \/>imagined.<br \/>Ochre of gold red pink fuchsia orange<br \/>is more real than any power<br \/>more than any person who writes <em>They have suicidal instincts, continual nightmares.<\/em><br \/><em>Sometimes they consider violence<\/em><br \/><em>normal. They learn it to enact it.<\/em><br \/><em>They\u2019ll become insensitive to pain,<\/em><br \/><em>They\u2019ll abuse drugs and medicines, they will abuse.<\/em><br \/>Someone dies or gets lost in their imagining<br \/>like the passeurs on their mountain crossings,<br \/>because to imagine is their crossing<br \/>and that\u2019s the reason theirs is<br \/>the world.<br \/>There the only storm is the doubt that dreaming might not have power over what they see<br \/>and feel<br \/>and touch<br \/>but they leave the illusion to grown-ups that a camp is more real<br \/>than the story they are writing, eating, sleeping, waiting for, thinking.<br \/>Spaces and times that aren\u2019t there yet open up to let them pass and to let them pass they exist and they themselves are open to another kind of existence.<br \/>Ochre of gold red pink fuchsia orange\u2026<br \/><span style=\"font-size: 14pt;\">\u2003<\/span><br \/><span style=\"font-size: 14pt;\"><strong>Journey<\/strong><\/span><\/p>\n<p>A pitiless shining sky strikes them from over a streaked horizon.<br \/>They come from Eritrea from Sudan from Iran from Nigeria from Syria but also from the other side of the world, Nicaragua and Salvador, Guatemala, Honduras.<br \/>Some of them open up the route,<br \/>others follow behind<br \/>in this crowd towards who knows what kind of destiny but hopefully different,<br \/>when different means new, reborn, more just, better.<br \/>It is a reptile made up of many cities.<br \/>One for every person or group<br \/><em>\u201cA crowd of hundreds of solitudes\u201d<\/em><br \/>put together from fear and hope<br \/>that snakes along for kilometres visible against the dark brown of the earth,<br \/>the thick fog through the bottle green of leaves,<br \/>skies with cotton clouds,<br \/>earth hailstones colour of rust and cucumber.<br \/>Or in Indian file adding metres, adding streams and wide muddy rivers,<br \/>whirlpools, slippery stones, icy passes<br \/>or lined up on the beach each awaiting their turn.<br \/>Children<br \/>in arms or helped by grown-ups.<br \/>The colour of the rainbow appears in every dip curve advances disappears to<br \/>reappear<br \/>slows down speeds up without ever stopping ice good weather Saturday Sunday Monday.<br \/>At first the odd hundred, then the throng gathers other migrants along the way<br \/>and they collect more<br \/><em>\u201cPoor people have always been shut out of everything\u201d.<\/em><br \/>Now they aren\u2019t any longer,<br \/>at least in the caravan that bit by bit swells like murky water. <br \/>The caravan even has a daughter,<br \/>three weeks old,<br \/>but while that\u2019s how it is for her, the others\u2026<\/p>\n<p>Died of hunger,<br \/>died from privation,<br \/>died from dehydration,<br \/>were asphyxiated,<br \/>died poisoned by fumes,<br \/>died suffocated,<br \/>during the fires,<br \/>in the mass deportation in the middle of the desert,<br \/>caught up in revolts,<br \/>in traffic accidents,<br \/>suffocated,<br \/>crushed by the weight of goods,<br \/>drowned in rivers,<br \/>from excessive heat,<br \/>from the snow\u2019s cold in thunderstorms,<br \/>crossing mountain passes,<br \/>in mined camps,<br \/>struggling on boats,<br \/>from hunger and thirst drifting on ferries,<br \/>drifting.<\/p>\n<p>Defending their own children,<br \/>defending their own men,<br \/>defending their own life,<br \/>defending the future,<br \/>thrown into the sea by survivors,<br \/>but they aren\u2019t survivors<br \/>because they don\u2019t know how to swim,<br \/>because they\u2019re frozen inside an airplane\u2019s undercarriage ,<br \/>killed under trains falling along the tracks or electrocuted,<br \/>losing their grip under lorry wheels,<br \/>battered to death,<br \/>punched to death,<br \/>killed after falling into a coma,<br \/>killed by other survivors searching for a way to escape and trampling on them,<br \/>killed by other survivors who capsized the boat,<br \/>killed by people smugglers who threw them into the sea like ballast,<br \/>killed even if they were pregnant,<br \/>with grandchildren beside them,<br \/>with children a few steps away crying,<br \/>playing.<br \/>They were hungry and thirsty.<br \/>They were cold and frightened.<\/p>\n<p>\u00a0<br \/><span style=\"font-size: 14pt;\"><strong>Never again<\/strong><\/span><\/p>\n<p>Images are their ghosts.<br \/>They will accompany them,<br \/>forever.<br \/>Even if they go to the camp\u2019s psychologist, they\u2019ll still take medication.<br \/>Waves of obsidian.<br \/>Sky the colour of turmeric.<br \/>Clouds blown up until they explode.<br \/>At home<br \/>fetching water used to be a journey but this time it came<br \/><em>onto the deck of the boat and carried her away.<\/em><br \/>A thud.<br \/>A wave collapses<br \/>where the bodies are.<br \/>There was<br \/>mother\u2019s.<br \/>She should have kissed the earth because she was alive like sailors who survive storms.<br \/>Instead she doesn\u2019t speak,<br \/>doesn\u2019t eat<br \/>doesn\u2019t sleep.<br \/>To heal is the only journey.<br \/>The rest is kilometres<br \/>and days to get through,<br \/>kilometres.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>3 poems from \u2018Nadir\u2019 by Laura Fusco translated by Caroline Maldonado: The following poems are taken from a forthcoming collection, Nadir by Laura Fusco, the sequel to&#8230;<\/p>\n","protected":false},"author":590,"featured_media":14312,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[2512,2511,2513,1740],"class_list":["post-14314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2","tag-caroline-maldonado","tag-laura-fusco","tag-nadir","tag-refugees"],"_links":{"self":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/14314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/590"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=14314"}],"version-history":[{"count":0,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/14314\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/14312"}],"wp:attachment":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=14314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=14314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=14314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}