{"id":12850,"date":"2019-01-24T10:18:52","date_gmt":"2019-01-24T10:18:52","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/shayari-the-progressive-power-of-urdu-poetry\/"},"modified":"2019-01-24T10:18:52","modified_gmt":"2019-01-24T10:18:52","slug":"shayari-the-progressive-power-of-urdu-poetry","status":"publish","type":"post","link":"https:\/\/www.gfdesign.co.uk\/culture\/shayari-the-progressive-power-of-urdu-poetry\/","title":{"rendered":"Shayari: the progressive power of Urdu poetry"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-12849\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79.jpg\" alt=\"\" width=\"851\" height=\"315\" srcset=\"https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79.jpg 851w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-600x222.jpg 600w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-300x111.jpg 300w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-441x163.jpg 441w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-768x284.jpg 768w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-1x1.jpg 1w, https:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2019\/01\/bbef2b7b679c4a3f6307636a786d3b79-10x4.jpg 10w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>Shayari<\/strong><\/span><\/p>\n<p><em>by Christopher Norris<\/em><\/p>\n<p><em>In a Delhi hockey stadium in December, about 100,000 people of various ages, genders, and classes flooded in for two days of poetry, debates, food and calligraphy sessions. It was Jashn-e-Rekhta, a three-day Urdu cultural festival, and its popularity reflects a wider appreciation for Urdu poetry. Shayari, historically associated with the politics of resistance, is experiencing a revival in the face of rising Hindu nationalism in Delhi.<\/em><\/p>\n<p>&#8211; The Guardian, 11th January, 2019<\/p>\n<p>It&#8217;s seventy years ago and more<br \/>We knocked the Raj for six,<br \/>Rose up and showed you Brits the door<br \/>For all your knavish tricks.<\/p>\n<p>We settled our historic score<br \/>By a well-practised mix<br \/>Of old-style liberation war<br \/>With new mass politics<\/p>\n<p>On such a scale it wiped the floor<br \/>With you lot. Just for kicks<br \/>We&#8217;d pitch our Hindu gods galore<br \/>Against your creed that sticks<\/p>\n<p>To its one God plus hell in store<br \/>For us poor heretics<br \/>With small room in our oddments drawer<br \/>For Christ and crucifix.<\/p>\n<p>That&#8217;s where the poetry comes in,<br \/>The Urdu kind they call<br \/>Shayari, with its liberal spin<br \/>On credal stuff, its all-<\/p>\n<p>Sorts god-squad, lack of zeal to win<br \/>More converts, love of small<br \/>Observances, and sense that sin<br \/>Goes deepest when we fall<\/p>\n<p>For big ideas. Then we begin<br \/>To live our lives in thrall<br \/>To loons and bigots as we pin<br \/>Our faith on the cabal<\/p>\n<p>Of those who make the loudest din<br \/>Though love begs we forestall,<br \/>Through Shayari, the kind of tin-<br \/>Eared rant that sparks a brawl.<\/p>\n<p>It&#8217;s plural, polyphonic, not<br \/>The kind of preachy style<br \/>That tries to get you thinking what<br \/>They&#8217;re thinking all the while.<\/p>\n<p>That&#8217;s why it makes you feel you&#8217;ve got<br \/>To go the extra mile, <br \/>Pull dogma down, and have the lot &#8211; <br \/>All creeds and values &#8211; pile<\/p>\n<p>Right in and put you on the spot,<br \/>Thinking how versatile<br \/>We are, we Hindus. We&#8217;ve a slot<br \/>For every god on file,<\/p>\n<p>And no desire for some big shot<br \/>To bless or to revile<br \/>Those variants of the master-plot<br \/>No creed can reconcile.<\/p>\n<p>But now we&#8217;ve Modri&#8217;s BJP,<br \/>His far-right thuggish crew<br \/>Of Hindu nationalists who agree<br \/>That nothing else will do,<\/p>\n<p>That only Hindus should be free<br \/>To have a point of view,<br \/>Since they alone possess the key<br \/>To all that&#8217;s good and true.<\/p>\n<p>Muslims and Christians they decree<br \/>Unfit to lick the shoe<br \/>Of anyone who bends a knee<br \/>To Modi&#8217;s retinue.<\/p>\n<p>It&#8217;s pogrom, strife or killing-spree,<br \/>The goal his goons pursue,<br \/>With mindless unanimity<br \/>The flashmob-bonding glue.<\/p>\n<p>So it&#8217;s no wonder Shayari&#8217;s<br \/>Got this big role to play,<br \/>This power to fight the same disease<br \/>We fought, back in the day,<\/p>\n<p>When British nabobs came to seize<br \/>Our wealth, us easy prey,<br \/>And taught their bag of tricks to these<br \/>New leaders gone astray.<\/p>\n<p>Shayari brings no guarantees,<br \/>Just clues along the way,<br \/>And no death-threats should you displease<br \/>The one God they obey.<\/p>\n<p>Urdu, not Hindi, helps appease<br \/>Old grievances and lay<br \/>The lingering ghosts whose harsh decrees<br \/>Preach vengeance come what may.<\/p>\n<p>It&#8217;s the home-tongue of many, known<br \/>To Muslims in the main,<br \/>But in the Hindustans a zone<br \/>Apart where poets gain<\/p>\n<p>A sense of all that&#8217;s theirs on loan,<br \/>Not theirs by that old bane<br \/>Of language-lore, the will to own<br \/>By rights some proper strain<\/p>\n<p>Of poet-speech. A lordly tone,<br \/>With priestly sect in train<br \/>To castigate the error-prone,<br \/>Goes clean against the grain<\/p>\n<p>Of Urdu Shayari and the bone<br \/>It picks with all who&#8217;d feign<br \/>God&#8217;s voice for edicts far outgrown<br \/>Once poets tap that vein.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shayari by Christopher Norris In a Delhi hockey stadium in December, about 100,000 people of various ages, genders, and classes flooded in for two days of poetry,&#8230;<\/p>\n","protected":false},"author":464,"featured_media":12849,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[],"class_list":["post-12850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2"],"_links":{"self":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/12850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/464"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=12850"}],"version-history":[{"count":0,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/12850\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/12849"}],"wp:attachment":[{"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=12850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=12850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=12850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}