{"id":16808,"date":"2024-05-04T12:21:58","date_gmt":"2024-05-04T11:21:58","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/happy-republic-day\/"},"modified":"2024-05-04T12:21:58","modified_gmt":"2024-05-04T11:21:58","slug":"happy-republic-day","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/happy-republic-day\/","title":{"rendered":"Happy Republic Day!"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16792\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130.jpg\" alt=\"\" width=\"793\" height=\"477\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130.jpg 793w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-600x361.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-300x180.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-441x265.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-768x462.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/9b5c8c5b4a81c1d9ea9ed3060317f130-10x6.jpg 10w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><\/p>\n<p>The campaign group <a href=\"https:\/\/www.republic.org.uk\/\"><strong>Republic<\/strong><\/a>, working towards the abolition of the monarchy and its replacement by a directly elected head of state, have organised a day of protest and celebration on the 5<sup>th<\/sup> of May, the first anniversary weekend of Charles&#8217; coronation. Republic Day will be marked by <a href=\"https:\/\/www.republic.org.uk\/republic_day_2024\">a major event in Trafalgar Square<\/a> featuring a wide range of speakers including <strong>Culture Matters<\/strong>&#8216; very own Martin Hayes! Sock it to &#8217;em, Martin!<\/p>\n<p>To lend solidarity and support across the digital ether we are also collecting and \u201ccurating\u201d a host of Republican content from a number of our contributors: poems that scrutinise and excoriate the monarchy, poems that apply pressure to the highly suspect nationalist scripts in which they are involved; poems that fight the erasure of our own working-class heritage and history.<\/p>\n<p><strong>It&#8217;s toothless and sweaty!<\/strong><\/p>\n<p>The monarchy is not merely a toothless anachronism. It is not (despite what the strenuous exertions of their PR department would have us believe) a harmless cultural agent. It is a profoundly political one. The last ten years have seen increasingly desperate and sweaty attempts to free the monarchy from its difficult, morally compromised history, and cement it instead at the very heart of Brand Britain. There\u2019s been a series of cultural levers \u2013 music, literature, film, sport, art, and drama \u2013 intended to evoke a nebulous though crowd-pleasing notion of Britishness with which to distract the populace at home and to woo the global marketplace. It was\/ is deeply cynical, but it was\/ is deeply strategic.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16795\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2.png\" alt=\"republic2\" width=\"335\" height=\"223\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2.png 810w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-600x400.png 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-300x200.png 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-441x294.png 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-768x512.png 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-1x1.png 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic2-10x7.png 10w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><\/p>\n<p>The flag-waving spectacle created by mainstream media discourses empties the monarchy of political context, allowing them to become a hollow receptacle for whatever idea is useful to power. Cultural discourses have tended to heavily moralise the monarchy through representations of nationhood, philanthropy, and family, effectively masking their relationship to centuries of exploitation, accumulation, corruption, and conquest. The death of Elizabeth II sent this PR machine into overdrive: a daily torrent of sentimentalising guff that sought to silence debate about the future of the monarchy by equating pro-republican criticism with a hard-hearted absence of \u201csympathy\u201d; exhorting would-be protestors to remember the late Queen&#8217;s \u201chumanity\u201d.<\/p>\n<p>As if humanity itself were some vaguely miraculous quality, and not the generic condition of everyone alive from Vladimir Putin to Britney Spears. No, theirs is a kind of Schr\u00f6dinger\u2019s humanity: an arbitrary rhetorical expedient that phases into existence at the precise moment scrutiny is applied. We&#8217;re constantly told that the rich and powerful transcend our mere mortal existence; the monarchy spend their entire lives within the hazy, elevated aura of hereditary, institutional, and economic privilege, with all the exemptions and special dispensations this implies. They&#8217;re not us. They are better than us. The rules do not apply to them. But if that is the case, then it&#8217;s a bit much to expect readmission in the final extremis. Sympathy is a finite resource; our sympathy cannot and will not stretch to meet the irrational demands of our oppressors and class enemies to be loved. Especially, when history has shown us that they do not return the favour.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16796\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3.jpg\" alt=\"republic3\" width=\"330\" height=\"165\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3.jpg 1080w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-600x300.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-300x150.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-441x221.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-768x384.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic3-10x5.jpg 10w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><\/p>\n<p>Republic are doing good work exposing the <a href=\"https:\/\/www.republic.org.uk\/royal_secrets\">secrecy of the royal family<\/a>. And of course they have much to hide. In 2017 the Paradise Papers revealed the extent to which the Queen\u2019s private estate used offshore private equity funds to avoid paying tax on its holdings. The Crown is already exempt by law from taxation, and also from inheritance tax on &#8216;sovereign to sovereign&#8217; bequests. As Laura Clancy has pointed out, the royal family &#8216;relies on the (uncodified) British constitution and political custom to play the same game&#8217; as corporate tax avoidance giants such Amazon and Facebook.<\/p>\n<p><strong>We fund this shit!<\/strong><\/p>\n<p>In the monarchy, historical custom and capitalist logic meet in the worst way possible. And we \u2013 that is PAYE workers \u2013 fund this shit, through the Sovereign Grant. As austerity bit, and the cost-of-living crisis escalated, causing upwards of 130,000 preventable deaths in 2019 alone, this was the thought that stayed with me: Britain needs better symbols, and a more inclusive, empathetic vision of itself.<\/p>\n<p>A good place to start creating that vision would be by ridding ourselves of an institution whose wealth and history is inseparable from the depredations of colonialism, and whose cornerstone is inequality. In recent years, many former British colonies in the Caribbean have declared their intent to abolish the monarchy including Antigua and Barbuda, the Bahamas, Belize, Grenada, Jamaica and St. Kitts. Barbados has already cut ties with the British monarchy to become the world\u2019s newest republic, and to rightly pursue reparations for the horrors of the slave trade.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16797\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6.jpeg\" alt=\"Republic6\" width=\"359\" height=\"269\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6.jpeg 720w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6-600x450.jpeg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6-300x225.jpeg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6-441x331.jpeg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6-1x1.jpeg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Republic6-10x8.jpeg 10w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/p>\n<p>Campaigners are right: an apology is not enough. King Charles \u201cacknowledging\u201d the atrocity of slavery isn\u2019t enough. An institution whose wealth was built on and maintained by slavery telling the descendants of slaves, whose families, cultures, and communities were scarred by colonialism, that they feel their pain is frankly insulting. You cannot cherry-pick which parts of Empire to whitewash and to fetishize. The foundation of Empire is slavery; slavery is the direct consequence of Empire. The same applies to hierarchy, poverty, and gross inequality at home. You cannot honour the victim if you are actively sympathising with their abuser.<\/p>\n<p><strong>To jail with you!<\/strong><\/p>\n<p>The ascension of Charles zipped past with indecent haste, ensuring that no conversation about the necessity for a monarchy could even intervene. Stability is the status quo, and not everyone benefits equally from preserving that. Republican protestors were arrested. A woman in Edinburgh for holding a sign reading <em>Fuck imperialism, Abolish monarchy, <\/em>and a man in Oxford who shouted \u201cwho elected him?\u201d during a reading of a proclamation. Both protestors were arrested for a \u2018breach of the peace\u2019. This is where we are, and this is what accretes around these figures, what concentrates within them, this is the state that they legitimate. Not sufficiently respectful? To jail with you. The state is criminalising protest. The monarchy lends tacit approval to this project.<\/p>\n<p>I want to be part of a country where everyone has a right to be heard. I want to live in a country that faces its difficult history head-on and with humility. I want to be part of a country where my head of state is accountable; where the most vulnerable citizens are treated fairly and with dignity, and where those in power are not so terrified of a dissenting opinion that they&#8217;ll do just about anything to stamp it out. I believe that ridding ourselves of the monarchy has the potential to catalyse more radical and egalitarian demands. If we can question the power of the monarch, we can also question the power of bosses, politicians, economic elites. It is a beginning, but it is a hopeful and necessary one. One that is not only anti-monarchy, but pro-republic.<\/p>\n<p>I hope you enjoy the parade of poems below, collected for Republic Day. If you would like to support this branch of our cultural struggle please consider buying our anti-monarchy anthology <em><a href=\"https:\/\/www.culturematters.org.uk\/index.php\/our-publications\/item\/4284-dungheap-cockerel\">Dungheap Cockerel<\/a>,<\/em> edited by Rip Bulkeley and Mike Quille and\/ or the republican-themed <em><a href=\"https:\/\/www.culturematters.org.uk\/index.php\/our-publications\/item\/4240-wolves-come-grovelling\">Wolves Come Grovelling<\/a><\/em> by Alan Morrison.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16798\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover.jpg\" alt=\"Wolves CG cover\" width=\"218\" height=\"318\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover.jpg 414w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover-206x300.jpg 206w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover-302x441.jpg 302w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Wolves_CG_cover-7x10.jpg 7w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16799\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg.jpg\" alt=\"Dungheap Cockerel cover jpeg\" width=\"213\" height=\"309\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg.jpg 414w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg-207x300.jpg 207w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg-305x441.jpg 305w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Dungheap_Cockerel_cover_jpeg-7x10.jpg 7w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/p>\n<p>If you are interested in joining <strong>Republic<\/strong> and finding out more about their campaigns and how\u00a0 you can join the fun, please visit them <a href=\"https:\/\/www.republic.org.uk\/\">here<\/a>.<a href=\"https:\/\/www.republic.org.uk\/get_involved\"><\/a><\/p>\n<p><strong>Make way for more polemic!\u00a0<\/strong><\/p>\n<p>The monarchy is the pinnacle of the British state and that state\u2019s increasing authoritarianism has been on full display since Charles came to the throne. Police swooped on peaceful protesters at events proclaiming him king in several British cities. Some were arrested simply for holding up blank pieces of paper. Royal assent has just been given to the Public Order Act, the latest in a long line of repressive laws passed since the 2019 election.<\/p>\n<p>The thuggish intimidation of republicans is inseparable from the project to shrink the range of permissible political opinion after the shock the Corbyn surge gave the ruling class. [&#8230;] The character-assassination campaign against Corbyn himself regularly involved allegations of disrespect towards the monarchy\u2014and the monarchy\u2019s place above Parliament was cited by generals briefing the press that the army might have to remove an elected socialist government.<\/p>\n<p>Nor should it be forgotten that the monarchy, greedily supported by a sycophantic aristocracy, is the main foundation of the inegalitarian and corrupt system of land ownership in Britain, an outrage that is centuries overdue for reform.<\/p>\n<p>So the monarchy is not neutral. It can appear so when the status quo is not threatened, but its undemocratic state power will be deployed if the ruling class consider it necessary to prevent radical change. And the growing opposition to monarchy should not be separated from wider political trends either. It is bound up with anger at an unrepresentative and oppressive British state and an economy rigged against ordinary people.<\/p>\n<p><em><em>&#8211; Excerpt from the Introduction to Dungheap Cockerel, by\u00a0<\/em>Rip Bulkeley &#038; Mike Quille<\/em><\/p>\n<p><strong>Stand clear! Watch out! Here comes the parade of poems!<\/strong><\/p>\n<p><strong>To Crown It All<\/strong><\/p>\n<p>As far as the news went, all the wars <br \/>in Sudan, Ukraine, Yemen, and anywhere <br \/>else were suspended; no one whatsoever <br \/>died of Covid; no celebrities did anything <br \/>remotely celebretitious; no crimes were <br \/>committed, whether violent or otherwise; <br \/>there were no major accidents and no <br \/>natural disasters; nothing went extinct; <br \/>bizarre coincidences failed to coincide.<\/p>\n<p>The glaring shortage of factoids left <br \/>the media havering between panic and <br \/>a self-destructive blamefest. But someone <br \/>had happened on an interminable ceremony<br \/>in a minor, post-imperial European nation. <br \/>The vultures descended, gorged for hours, <br \/>regurgitating regularly for an audience <br \/>denied any choice of infotainment.<\/p>\n<p>Next day people went about with a strange<br \/>look on their faces, a blend of shame,<br \/>bewilderment, and momentary flashes<br \/>of relief as they realized that neither they<br \/>nor anyone else were ever going to say<br \/>one word about the orgy of inanities<br \/>from which they were slowly coming round.<\/p>\n<p><em>By Rip Bulkeley<\/em><\/p>\n<p>*<\/p>\n<p>I don&#8217;t care whether the monarchy stays or leaves but I wish they wouldn&#8217;t be presented as a Godly power one minute, and human beings\/an ordinary family the next. I also wish people would ask simple questions like &#8216;Why do the \u201croyal\u201d family need so many houses when there are children in the UK who don&#8217;t have beds to sleep on?<\/p>\n<p>&#8211; <em>Jenny Mitchell<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16801\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black.jpg\" alt=\"The Queen is Black\" width=\"310\" height=\"286\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black.jpg 1024w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-600x555.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-300x277.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-441x408.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-768x710.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_Queen_is_Black-10x10.jpg 10w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/p>\n<p><strong>The Queen Turned Black<\/strong><\/p>\n<p>When granny dies, her skin transforms,<br \/>not limb by limb but all at once \u2013<br \/>dark brown becomes red, white and blue.<\/p>\n<p>Her hair has lost its kink, becomes a stately crown.<br \/>I\u2019m not surprised. She loved Great Britain<br \/>even when in \u201956 a turd slipped<\/p>\n<p>through her letterbox. Neighbours called police<br \/>in \u201958 to say her bible class \u2013 loud prayers<br \/>to a blond-haired Jesus \u2013 sent them mad.<\/p>\n<p>More than once in \u201963, the local press reported<br \/>that her house became a den of vice \u2013 Black<br \/>Madame Must Be Stopped!<\/p>\n<p>She used the settlements to build a large extension.<br \/>Most recently, the man next door, caped<br \/>in a Union Jack, ordered her to go back home<\/p>\n<p>with the other immigrants. Home was called<br \/>the Mother Country where the Queen<br \/>once welcomed her, waving from a balcony.<\/p>\n<p>Now ever since she died, the Queen has been<br \/>transformed, her skin turned black,<br \/>her hair a tall, soft afro. She lies<\/p>\n<p>next to my granny in a special plot, white<br \/>roses planted close. Are they holding<br \/>hands, having shared so much?<\/p>\n<p><em>By Jenny Mitchell<\/em><\/p>\n<p>*<\/p>\n<p>That decade in the middle of the 17th century seems to have been airbrushed out from our royalty-dominated history. But republicanism has remained, among a significant minority, as an enduring dream of generations who have dared to imagine a true democratic society with no hereditary head of state and whose sovereignty is properly represented by Parliament, and implicitly in the People.<\/p>\n<p><em>&#8211; Alan Morrison<\/em><\/p>\n<p><strong>Wolves Come Grovelling\u00a0<\/strong><\/p>\n<p><em>With a video by Vanessa Sadri:<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xWidCJ94lDM?si=z_cfjnzYTGy-f8eL\" width=\"560\" height=\"315\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Out of the forests of towns &#038; hovelling, <br \/>Wolves of poverty, howl out in worship, <br \/>Bow to your Wolf-queen, wolves come grovelling.<\/p>\n<p>Away from your wolf-fare of food bank shovelling, <br \/>For one weekend, share in wolf-fellowship,<br \/>Out of the forests of towns &#038; hovelling.<\/p>\n<p>Her crowned head, minted on our pound sterling <br \/>&#038; postage stamps, shadows our hardship\u2014<br \/>Bow to your Wolf-queen, wolves come grovelling.<\/p>\n<p>Believe or get even, there\u2019ll be no levelling<br \/>Up, except in Uxbridge &#038; South Ruislip\u2014<br \/>Out of the forests of towns &#038; hovelling;<\/p>\n<p>It\u2019s all just so much Cat-Rat-&#038;-Lovelling<br \/>Of Big Hog\u2019s nodding-dog dictatorship\u2014<br \/>Bow to your Wolf-queen, wolves come grovelling.<\/p>\n<p>Come famished &#038; homeless join the street-revelling,<br \/>Come unemployed, lumpen, unpaid internship\u2014<br \/>Out of the forests of towns &#038; hovelling,<br \/>Bow to your Wolf-queen, wolves come grovelling.<\/p>\n<p><strong>Wolves Come Grovelling (Again)<\/strong><\/p>\n<p>Out of the forests of towns &#038; hovelling, <br \/>Wolves of poverty, howl out in worship, <br \/>Bow to your Wolf-king, wolves come grovelling.<\/p>\n<p>Forget soaring bills &#038; the cost of living<br \/>For one weekend, spaff on wolf-fellowship,<br \/>Out of the forests of towns &#038; hovelling.<\/p>\n<p>His crowned head, minted on our pound sterling<br \/>&#038; postage stamps, shadows our hardship\u2014<br \/>Bow to your Wolf-king, wolves come grovelling.<\/p>\n<p>Grab the bank holiday, string out the bunting,<br \/>You\u2019re Subjects of strung-along citizenship\u2014<br \/>Out of the forests of towns &#038; hovelling;<\/p>\n<p>It\u2019s all just so much Cat-Rat-&#038;-Lovelling<br \/>Of Saxe-Coburg &#038; Gotha &#038; kingship\u2014<br \/>Bow to your Wolf-king, wolves come grovelling.<\/p>\n<p>Or mark the Coronation by protesting,<br \/>Yellow placards packed up in creeping censorship\u2014<br \/>Out of the forests of towns &#038; hovelling,<br \/>Bow to your Wolf-king, wolves come grovelling.<\/p>\n<p><em>By Alan Morrison<\/em><\/p>\n<p>*<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16802\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5.jpg\" alt=\"republic5\" width=\"318\" height=\"179\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5.jpg 960w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-600x338.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-300x169.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-441x248.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-768x432.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/republic5-10x6.jpg 10w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><\/p>\n<p><strong>Weekly Briefing<\/strong><\/p>\n<p>Starving children trudge to school<br \/>while I serve tea to his Majesty<br \/>and the Prime Minister.<\/p>\n<p>The King urges his PM to<br \/>try his new range<br \/>of Duchy biscuits.<\/p>\n<p>As the meeting closes,<br \/>the PM plucks a gift bag<br \/>from his case.<\/p>\n<p>For your dogs, your majesty.<br \/>Fresh bones<br \/>of your starving subjects.<\/p>\n<p>Collected this morning.<br \/>Children\u2019s, I believe.<\/p>\n<p><em>By Owen Gallagher<\/em><\/p>\n<p>*<\/p>\n<p><strong>The Thread<\/strong><\/p>\n<p><em>Every man born in England cannot, ought not, neither by the law of God nor the law of nature, to be exempted from the choice of those who are to make laws for him to live under \u2013 and for him, for aught I know, to lose his life under.<\/em><br \/>&#8211; Thomas Rainsborough<\/p>\n<p>We fastened a stretch of thread to the front gates of your palace,<br \/>and took the other end to town, where we tied it up in the square.<\/p>\n<p>The first night, as the guard changed, we heard the grind of the thread<br \/>as it began to wring itself. The fastening bled, and all along<br \/>its length the wraps dropped scarlet, damson, crimson: the dead<br \/>who any measure from the gates of your palace<br \/>must contain in the telling.<br \/>The tightness held all night, and the noise of their blood rose.<\/p>\n<p>The next week, the clotted length gave forth<br \/>a sickening green that dropped from its weft in odour, rancour,<br \/>connivance and hoard. Such rancid riches dripped along<br \/>every step of the line, and we noticed that the guards were gone.<\/p>\n<p>It was seven days on when the end of the line led half of the crowd<br \/>from the marketplace where the knot we had made had turned black.<br \/>Along the long road to the gates of your palace,<br \/>where those petrified reds had withered to dark<br \/>and the heavy green was now trash in the wind,<br \/>the black thread tied to the gates of your palace<br \/>pointed us all to the no-light beyond,<br \/>to the darkness and quiet that now filled your palace,<br \/>the bags left half-packed and the horses long gone.<\/p>\n<p>It took only one child<br \/>to twitch on the red thread<br \/>and laugh at the crash and the fall of those gates.<\/p>\n<p>You needn\u2019t return, to where you left your palace,<br \/>we\u2019ve more than enough things to do with the space,<br \/>and should you turn back, to where once stood your palace,<br \/>there\u2019s a thread that we\u2019ve kept, just for you, just in case.<\/p>\n<p><em>By Patrick Davidson Roberts<\/em><\/p>\n<p>\u00a0*<\/p>\n<p>\u00a0<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pbs.twimg.com\/media\/F-5WnIXWQAArxDi.jpg:large\" alt=\"Big Issue on X: \" width=\"191\" height=\"191\" \/>\u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16804\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10.jpg\" alt=\"Picture10\" width=\"324\" height=\"184\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10.jpg 1880w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-600x340.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-300x170.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-441x250.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-768x435.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-1536x870.jpg 1536w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/Picture10-10x6.jpg 10w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/p>\n<p><strong>Jubilee<\/strong><br \/><em>(from the Latin Jubilo = to shout)<\/em><\/p>\n<p>1.<br \/>Wake up dry-eyed with excitement<br \/>On this your special day<br \/>(This morning another ex-squaddie\u2019s<br \/>Found dead in another doorway)<br \/>And now there\u2019s a ring on the doorbell<br \/>And the first of your friends are here<br \/>And she\u2019s brought a bottle of Moet<br \/>And he\u2019s brought some rather nice beer<br \/>So you nip out and fire up the Barbie<br \/>And then pour a large G and T<br \/>And talk of the need for harsh measures<br \/>Because there\u2019s no money tree:<br \/>Out there the cupboards are empty,<br \/>Out there someone takes their own life,<br \/>Out there every state celebration<br \/>Is another twist of the knife.<\/p>\n<p>2.<br \/>You wake up hungry and tired<br \/>(Every morning\u2019s always the same)<br \/>Make teas and toast for your breakfast<br \/>(Ditto lunch and your evening meal)<br \/>Then have a quick flick through the Ceefax<br \/>Because daily papers aren\u2019t free:<br \/>And all of your bills have just doubled<br \/>And you can\u2019t seem to shake off that cough<br \/>And though your cold bones are aching<br \/>You\u2019ll still keep the heating switched off.<\/p>\n<p><em>By Kevin Patrick McCann<\/em><\/p>\n<p>*<\/p>\n<p>The thinking behind this poem is that the monarchy receives \u00a386.3 million each year through the Sovereign Grant (it is fixed until 2025 then will go up to \u00a3123 million from 2026) which is directly funded by the tax taken from the wages and salaries of PAYE workers.<\/p>\n<p>So the poem is written as a kind of collective voice against that tax money being given to the monarchy instead of being given towards the essential infrastructure to help the country run. The NHS mainly, but also education, youth clubs, aspiring musicians\/bands unable to play live because of the cost, painters who, armed with the right mind to create, can&#8217;t afford a canvas and a room to just sit there and contemplate their next masterpiece; the reintroduction of inter-school sport where you could play against the young men and women that lived in the block away from you and you could frame your interaction in football, cricket, basketball, netball, rounders, rather than in postcode defining wars and kebab shop scuffles&#8230; them&#8230; they could do with a bit of that 86.3 million a lot more than the King could&#8230; and our world \u2013 their world \u2013 would be better for it.<\/p>\n<p><em>&#8211; Martin Hayes<\/em><\/p>\n<p><strong>the people kept on yelling<\/strong><\/p>\n<p>the Monarchy said<br \/>work<br \/>and the people said back<br \/>work, yes, but let it be fair<br \/>and then the Monarchy said<br \/>shut up and just work<br \/>we need your tax pounds coming in to help fund us<br \/>but the people said back<br \/>work, yes, but let it be fair<br \/>so the Monarchy sent its attack dogs in<br \/>to slap them across the back of their legs<br \/>with a baton<br \/>but the people took it and said back<br \/>work, yes, but let it be fair<br \/>and then the Monarchy\u2019s attack dogs said<br \/>Fair!? I\u2019ll show you what\u2019s fucking Fair!<br \/>and so they invented their legislation department<br \/>to try and crush every uprising with its rules<br \/>but the people kept on yelling<br \/>work, yes, but let it be fair<br \/>and the moon kept on coming and going<br \/>and the sea was always there<br \/>and nothing could kill what was in the centre of the people<br \/>which was work and love<br \/>and the attack dogs understood this<br \/>so they came in the end in their billions to the power of 10<br \/>to protect the Monarchy<br \/>they did<br \/>from the people who wouldn\u2019t stop yelling<\/p>\n<p>work, yes, but let it be fair!<\/p>\n<p>work, yes, but let it be fair!<\/p>\n<p><em>By Martin Hayes<\/em><\/p>\n<p>*<\/p>\n<p>By way of a note on the poems: the Jack Cade Rebellion, which took place over the summer months of May, June and July in 1450 was arguably one of the most important popular uprisings to take place in England during the long Middle Ages. It began as an orchestrated demonstration of political unrest by the inhabitants of south-east England (Kent) against the mismanagement and oppression of Henry VI&#8217;s government. Its participants, both and women, mostly labourers, artisans, yeomen and farmers expressed concerns over unfair wages and taxes. Their Bill of Complaint also attacked the cronyism and corruption they perceived at various levels of government and within the church. The Complaint included an extensive catalogue of judicial misconduct: selling the goods and property of those accused of treason (before they were convicted), leasing of judicial offices to those who used them to gain money through extortion; bringing default judgments against defendants who had been neither summoned nor notified of suits pending against them, and the illegal eviction of people from their property. While little is known of the historical Jack Cade, we do know that his insurrection was popular and initially successful: the Rebellion brought London to a virtual standstill and caused Henry VI to flee the capital for the relative safety of Kenilworth Castle in Warwickshire, some one-hundred miles from the city.<\/p>\n<p>If people have heard of Cade at all, it is usually as an antagonist in Shakespeare&#8217;s Henry VI Part II (first performed in 1592), where his portrayal is complex but not exactly kind. While the grievances of the rebels are presented within the play as deeply serious, and would have resonated powerfully with its first audience: by 1570 the purchasing power of agricultural wages was 40 per cent lower than it was in 1450, as a result of which it became near-impossible to support a household containing young children or infirm adults on wage labour, and by 1592 acts of enclosure had begun to be roundly and publicly condemned), Cade&#8217;s revolutionary message is continually undercut by his presentation as politically crude, megalomaniacal and bloodthirsty.<\/p>\n<p>Living in Kent, I have become increasingly absorbed in researching Jack Cade, and thinking about the lost link in our radical heritage that he represents. The Cade Rebellion did not seek to overthrow the crown; rather it sought relief for the &#8216;extraordinary distresses&#8217; of the populace. Which the monarchy \u2013 who do not love their subjects, true to form \u2013 refused to recognise. For me, Cade stands for the history of the commons, a story that elites have sought to bury and revile, overwriting us with the infinitely more \u201cglorious\u201d history of Kings and Queens. It&#8217;s a moment in time where radical energy erupts from the hard-pressed, and people \u2013 the people \u2013 attempt to take their fate into their own hands, a cry that says \u2013 to quote Martin \u2013 Let it be fair!<\/p>\n<p>Here&#8217;s to fair&#8230;&#8230;<\/p>\n<p><em>&#8211; Fran Lock<\/em><\/p>\n<p><strong>Public lecture<\/strong><\/p>\n<p><em>\u201cThe purchasing power of agricultural wages was 40 per cent lower in 1570 than in 1450. As a result, it became impossible to support a household containing young children or infirm adults on wage labour&#8230;\u201d<\/em><\/p>\n<p>she says. i dream of martyrs&#8217; mischiefs. things <br \/>remote and then revealed: jack cade, quartered;<br \/>the poor commons of kent, routed and scoured.<br \/>fanatical attentions, folded-faces. you, hanging <br \/>listless in the pillory of a poorly pressed suit,<br \/>the airtight turmoil in my gut. give the century<br \/>its skirmishes, incite and license all collapse.<br \/>we coin new crisis hourly; ply our riot against<br \/>misrule, your catalogue of crowns. we are <br \/>stuck, sessile and assailed. i dream of ceded<br \/>fiefdoms, of precedents, repeals. our long, cold <br \/>night is sectioned into sieges, or the claims <br \/>of rival roses; your extraordinary distresses, <br \/>kent. your brutalist&#8217;s warrant of chalk. this is <br \/>my dream: penury portending insurrection,<br \/>the lightly reckoned necks of vagrants<br \/>and of traitors. emaciated labour, leagues<br \/>and guilds. and men, syndicated bitterly,<br \/>execute routines: the hokey-cokey of execution, <br \/>execration, the tyrant&#8217;s damp alas, the bigot&#8217;s <br \/>sour amen. i dream a dream of righteousness, <br \/>riddled into writs, writ in a calfskin codex. <br \/>the pig who is stretched into velum; the goose <br \/>plundered for primaries: scribal and flightless. <br \/>clerks, who fabricate feathers; informers, <br \/>foremen, forgers. i dream of wat tyler, tilling <br \/>the tax collector&#8217;s head, the wrath of roseate<br \/>angels whose hour is at hand. kent, you are<br \/>slashed in the neck, paraded on pikes, <br \/>dragged like a plough behind horses. this<br \/>crew of skulled dunces, dancing. on hot<br \/>coals, on livid cinders of conscience. stop.<br \/>these are tiltyard retributions, tournaments<br \/>and courses, antics for ascension days. but we <br \/>will bury all errants, beneath the conjuries<br \/>of commonweal. their distorted law, and our<br \/>extinguished skin. kent, like a loafing ghost will<br \/>rise. cuckoos of the calendar. sing, dream. you<br \/>mendicants, you miscreants, you louts of rebel<br \/>decibel. give the populace its knives. bright <br \/>knaves. you plebs of brimstone and fidelity.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16806\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized.jpg\" alt=\"The History of the Old Kent Road resized\" width=\"319\" height=\"384\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized.jpg 1127w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-600x721.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-250x300.jpg 250w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-367x441.jpg 367w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-768x923.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/05\/The_History_of_the_Old_Kent_Road_resized-8x10.jpg 8w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/p>\n<p><strong>Cade&#8217;s chroniques<\/strong><\/p>\n<p>tight-lipped light tipped down toward<br \/>bank and fen, the yokeman&#8217;s meadow.<br \/>sodden skies will tutor me to brood. yr<br \/>den of nettles, kent. the muddy bulge<br \/>and muddle of u. there is a little bird<br \/>that sits in scrub and sedge and sings <br \/>its hedge-invective. teach me this, yr<br \/>sparrow&#8217;s gammon. sauntersick, i am,<br \/>and thistle-billeted. they scant yr right <br \/>of shack, and laugh to see yr manhood <br \/>thatched with spit and twigs. they call <br \/>u rabble kent, tap-shackled obstinates.<br \/>rascal kent, u rakes of affray. they call <br \/>u kent of mongrel measures, mulling<br \/>yr dull wits to malady; pot-plateaued<br \/>kent, whose livery is ditches. they do<br \/>not love u, mullocked sons of chalk. I<br \/>know. oh, u chronics of kent, hold me<br \/>up! they have their law, and it comes<br \/>in swinging its chancer&#8217;s mallet. men <br \/>there are, who live to heap yr head <br \/>with conqueror&#8217;s calumnies, a mean<br \/>encoffined logic under which we lean<br \/>like wheat. kent, they shall kill me. u,<br \/>must be free. in the vigour of yr sling-<br \/>shots. r\u0113sen, rise. the brawny disarray<br \/>of u. blackthorn, cockspur, purging<br \/>buckthorn, quickthorn, firethorn, all<br \/>the thorns of thrusting fief. on yr hind-<br \/>legs through the wet hush. to file yr<br \/>teeth. tight-lipped light tipped down<br \/>toward the samphire bank where cade<br \/>has crept. will pierce the very varying <br \/>moon in its emphasising eye.<\/p>\n<p><em>By Fran Lock<\/em><\/p>\n<p><strong>Hurrah for the contributors!<\/strong><\/p>\n<p><strong>Rip Bulkeley<\/strong> is a more or less retired political activist, peace researcher and historian of the Cold War, the earth sciences, and Antarctica. He has been trying to write better poetry for 68 years. His d\u00e9but as an organizer was the 1960 Adelaide students\u2019 \u2018Prosh\u2019 (rag day), and as a protester, the 1962 Aldermaston March. He founded Oxford\u2019s thriving Back Room Poets in 1999, and published <em>War Times with Ripostes<\/em> in 2003. He speaks 5\u00bd languages, has lived in four countries, and edited seven anthologies including <em>Dungheap Cockrel <\/em>(Culture Matters, 2023),\u00a0<em>Poems for Grenfell Tower <\/em>(Onslaught, 2018), <em>Rebel Talk<\/em> (Extinction Rebellion Oxford, 2021), and <em>A Fish Rots From the Head<\/em> (Culture Matters, 2022).<\/p>\n<p><strong>Jenny Mitchell <\/strong>is winner of the Poetry Book Awards 2021, the Bedford Prize, the Ware Prize and joint winner of the Geoff Stevens Memorial Prize 2019. Her poems have been widely published and she has been nominated twice for the Forward Prize: Best Single Poem. The best-selling debut collection, <em>Her Lost Language<\/em>, is \u2018One of 44 Poetry Books for 2019\u2019 (<em>Poetry Wales<\/em>). Her second collection, <em>Map of a Plantation<\/em>, has been chosen as a \u2018Literary Find\u2019 (<em>Irish Independent<\/em>), and both books are on the syllabus of Manchester Metropolitan University. Her latest collection is called <em>Resurrection of a Black Man<\/em>.<\/p>\n<p><strong>Alan Morrison<\/strong> is a Sussex-based poet. His collections include\u00a0<em>A Tapestry of Absent Sitters <\/em>(2009), <em>Keir Hardie Street<\/em> (2010; shortlisted for the 2011 Tillie Olsen Award, Working Class Studies Association, USA), <em>Captive Dragons <\/em>(2011), <em>Blaze a Vanishing\u00a0<\/em>(2013), <em>Shadows Waltz Haltingly <\/em>(2015),<em> Tan Raptures<\/em> (2017),\u00a0<em>Shabbigentile<\/em> (2019), <em>Gum Arabic<\/em> (2020),<em> Anxious Corporals<\/em> (2021),<em> Green Hauntings <\/em>(2022), and\u00a0<em>Rag Argonauts <\/em>(2024).<em> <\/em>In 2018 he was joint winner of the Bread &#038; Roses Poetry Award, and was highly commended in the inaugural Shelley Memorial Poetry Competition 2022. He edits <em>The Recusant<\/em> and <em>Militant Thistles<\/em>, and\u00a0is books editor and book designer for Culture Matters.\u00a0<\/p>\n<p><strong>Owen Gallagher <\/strong>is the author of four poetry collections, the most recent being <em>Clydebuilt<\/em>\u00a0(Smokestack Books, 2019). <em>The Sikh Snowman<\/em>, a children\u2019s picture book, was published by Culture Matters in 2020 and his poem &#8216;Straight Up&#8217; was a <em>Guardian<\/em> Poem of the Week.<\/p>\n<p><strong>Patrick Davidson Roberts <\/strong>was born in 1987 and grew up in Sunderland and Durham. He was editor of <em>The Next Review<\/em> magazine 2013-2017, co-founded <em>Offord Road Books<\/em> press in 2017 and reviews for <em>The Poetry School <\/em>and<em> The High Window<\/em>. His debut collection is <em>The Mains<\/em> (Vanguard Editions, 2018) and a chapbook, <em>The Trick<\/em> (Broken Sleep Books, 2023) was recently published. His work has been published in <em>14 Magazine, Ambit, The Interpreter\u2019s House, Magma, The Rialto<\/em>, and on<em> Bad Lilies, The High Window, One Hand Clapping, <\/em>and<em> Wild Court.<\/em><\/p>\n<p><strong>Kevin Patrick McCann<\/strong> is a poet, novelist and educator who has published eight collections of poetry for adults, and one for children: <em>Diary of a Shapeshifter<\/em> (Beul Aithris Publications). There is also a book of ghost stories: <em>It\u2019s Gone Dark<\/em> (The Otherside Books), and <em>Teach Yourself Self-Publishing<\/em> (Hodder), co-written with the playwright Tom Green. <em>Ov <\/em>(Beul Aithris Publications) is a fantasy novel for children. <em>Deleted Scenes: <em>Poems i.m. Shirley Jackson<\/em><\/em> is a new pamphlet from Culture Matters.<\/p>\n<p><strong>Martin Hayes<\/strong> has worked in the courier industry for 30 years. His collections include <em>The Things Our Hands Once Stood For<\/em>\u00a0(Culture Matters, 2020), the critically acclaimed <em>Ox <\/em>(Knives, Forks, and Spoons Press, 2021), and most recently <em>Machine Poems<\/em> (Smokestack Books, 2024).<\/p>\n<p><strong>Fran Lock<\/strong> is an editor, essayist, the author of numerous chapbooks and thirteen poetry collections, most recently <em>Hyena!<\/em> (Poetry Bus Press), which was shortlisted for the T.S. Eliot Prize 2023. She is a Commissioning Editor at Culture Matters, and she edits the Soul Food column for <em>Communist Review<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The campaign group Republic, working towards the abolition of the monarchy and its replacement by a directly elected head of state, have organised a day of protest&#8230;<\/p>\n","protected":false},"author":371,"featured_media":16792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[3106,3108,2651,3107],"class_list":["post-16808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2","tag-elizabeth-ii","tag-jack-cade","tag-king-charles","tag-paradise-papers"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/371"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=16808"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16808\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/16792"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=16808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=16808"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=16808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}