{"id":16770,"date":"2024-04-29T08:31:50","date_gmt":"2024-04-29T07:31:50","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/the-orgreave-stations\/"},"modified":"2024-04-29T08:31:50","modified_gmt":"2024-04-29T07:31:50","slug":"the-orgreave-stations","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/the-orgreave-stations\/","title":{"rendered":"The Orgreave Stations"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16767\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53.jpg\" alt=\"\" width=\"405\" height=\"613\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53.jpg 405w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53-198x300.jpg 198w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53-291x441.jpg 291w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/b3f8a286b21bfd52d3c9b12463d21b53-7x10.jpg 7w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/p>\n<p><em>\u2018You\u2019re lifted, Trotsky\u2014in the fucking van.\u2019<\/em><\/p>\n<p>Perfectly timed to chime with the 40th anniversary of the miners\u2019 strike 1984-85, this collaborative poetry pamphlet is powerfully delivered by William Hershaw and accompanied by fine illustrations by prize-winning artist, Les McConnell.<\/p>\n<p>Orgreave in Rotherham, South Yorkshire, was the location used by the government and police to orchestrate a violent confrontation with coalminers and activists while they were legally picketing the coking plant on 18th June 1984. The subsequent \u2018Battle of Orgreave\u2019 marked a turning point in the strike where pickets in t-shirts were brutally assaulted by police in in full riot gear, with horses, and dogs. Those arrested later had the charges against them dropped due to evidence being fabricated by the South Yorkshire police \u2013 the same police service that altered statements a few years later at the Hillsborough Disaster in 1989.<\/p>\n<p><em>The Orgreave Stations<\/em> is a raw poetic journey using the traditional form of the Stations of the Cross, biblical quotations, and symbolic religious imagery. The poems and the images capture the working-class struggle before, during and after the strike, and highlights Orgreave as a pivotal moment.<\/p>\n<p>Hershaw himself is well-placed to explore the subject. Coming from Fife, he belongs to a historic line of colliers who experienced first-hand the social injustices wielded by both mine owners and the state. This enables his poetry to navigate the political and moral impact of the government\u2019s response to the strike in an informed manner.<\/p>\n<p>In the opening poem, <em>Station 1: The Road to Gethsemane Allotments,<\/em>\u00a0the poet creates a landscape that reveals what it meant to be working-class at the peak of industrialisation in the UK, and to feel the values of love; family; unity; and that workers should be fighting for better working conditions and pay, not quarrelling with each other.<\/p>\n<p>That need for workers\u2019 solidarity is captured in the image of The Miner (as Jesus) preaching in simple clothes with a twisted rope of partnership for a belt &#8211; one of many symbolic drawings perfectly executed by Les McConnell throughout the book:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">The greatest sacrifice is that of self!<br \/>I know you think I\u2019m daft, just wittering on\u2014<br \/>To love is hard without condition, love<br \/>Yourself, each other, enemies as well<\/span><\/p>\n<p>Some of the most poignant lines of disunity can be found in <em>Station 4: Big Pete \u2013 the doubting Miner<\/em>:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">Some comrades have gone home, they need the dosh,<br \/>There\u2019s others never joined us from the off.<br \/>I read a bishop said the strike is wrong\u2026\u201d<br \/>Three times the cock crew in the still of dawn.<\/span><\/p>\n<p>and in <em>Station 7: Jesus Takes Up His Cross<\/em>\u00a0\u2013 Hershaw perfectly captures the cliched but all too common negligent Pit Manager:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">Down there the ventilation\u2019s poor, no air,<br \/>We\u2019re breathing in lungful\u2019s of choking dust,<br \/>It\u2019s far too hot, the explosion risk is high.<br \/>The boss looked bored but listened with a sigh.<br \/>\u201cIt\u2019s safe enough \u2212\u201d<\/span><\/p>\n<p><em>Station 9: The Women<\/em> \u2013 highlights women\u2019s contributions during the strike in a sturdy sonnet:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">Daughters and sisters, mothers and wives,<br \/>At home, fundraising, on the picket line,<br \/>With faith and love, strong women all of them\u2026<\/span><\/p>\n<p>And <em>Station 10: Crucifixion<\/em> \u2013 uses the analogy and symbolism of lost miners both in pit accidents and those who cross the picket line:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">\u201cWe\u2019ll bring them to the surface or we\u2019ll die.\u201d<br \/>To find them quick, gasping in airless holes,<br \/>To dig them out the shit then bring them home<br \/>To light and life and air\u2014a slim hope, yet<\/span><\/p>\n<p>In <em>Station 13: Death<\/em> \u2013 the tragic deaths of Joe Green and David Jones hold the government to account:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">No need for an inquiry \u2013 \u2018no-one died\u2019.<\/span><\/p>\n<p>One of the most charged poems, superbly executed by Hershaw, is <em>Station 5: Judged by Pilate<\/em>. This satirical tirade employs some deeply offensive language of the time, but serves to illustrate the relentless provocative nature of right-wing political dogma:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">So let the miners die, they\u2019re halfway there,<br \/>A generation on, no one will care.<br \/>Be sensible &#8211; extinction paves the way.<br \/>I\u2019ve come to make an offer, in good faith,<br \/>You see, I\u2019ve kept a judging eye on you<br \/>And been impressed. Join us and have your say.<br \/>Instead of helping losers, help yourself.<br \/>A change is in the air, can you not tell?<br \/>Orgreave will be the point, long overdue,<br \/>To reassert our right, our might, the coup.<br \/>Too long the liberals have held their sway:<br \/>The right to strike, free grants, free meals, free speech,<br \/>Free this and that, an Open University!<br \/>The hope to have it all in easy reach,<br \/>Meanwhile the unions get to call the shots.<br \/>They\u2019ve stretched the rope too far\u2014and now it stops.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-16769\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/Picture8.jpg\" alt=\"Picture8\" width=\"280\" height=\"358\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/Picture8.jpg 280w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/Picture8-235x300.jpg 235w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/Picture8-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/04\/Picture8-8x10.jpg 8w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/p>\n<p>For some, creating the image of the striking miner as Christ might jar, if the crucifixion is interpreted as an act of submission rather than an act of terrible state violence. I am sure ex-miners would not want to be seen as submissively accepting of their fate \u2013 they certainly didn\u2019t take the actions of the government, the police and the media lying down. But <em>The Orgreave Stations<\/em> is boldly illustrating the idea of sacrifice and morality \u2013 how a group of ordinary people, often referred to as the \u2018backbone of the nation\u2019, stood up to a system that dragged them into a fight most did not want and without any back up plan for change. This aspect is captured perfectly in Hershaw\u2019s Introduction:<\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-size: 10pt;\">\u2018There were choices to be made, about using the might of the state (the police and judiciary) and the media to maintain a position of wealth and power for the ruling class, or being prepared to make personal sacrifices and take the consequences, for the sake of the community and the working class. The fact that the former won the battle and the latter was not supported by many, made me ask questions then and ever since: how can you be a Christian and a Tory? Can you be a Christian and not a socialist? Who are Christians but mealy-mouthed liberals who sit on the fence while the meek and the weak get bullied and mugged? The wrong moral choices, made at Orgreave, during the Strike, and afterwards, have resulted in the political culture and system we see today\u2014an amoral one totally lacking in empathy and support for working people and their communities.\u2019<\/span><\/p>\n<p>The Orgreave Truth and Justice Campaign (OTJC) continues to call for a public inquiry to expose the truth about how the government sanctioned such an appalling act of police violence on a group of people striving to save their jobs and their communities. Full strike documentation is currently not due to be released into the public domain until after 2066, see<a href=\"https:\/\/otjc.org.uk\/about\/\"> here.<\/a><span><\/span><\/p>\n<p><em>The Orgreave Stations, Poems by William Hershaw and Images by Les McConnell, \u00a310 plus p. and p., is available<a href=\"https:\/\/www.gwales.com\/goto\/biblio\/en\/9781912710676\/?session_timeout=1\"> here.<\/a><span><\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018You\u2019re lifted, Trotsky\u2014in the fucking van.\u2019 Perfectly timed to chime with the 40th anniversary of the miners\u2019 strike 1984-85, this collaborative poetry pamphlet is powerfully delivered by&#8230;<\/p>\n","protected":false},"author":548,"featured_media":16767,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[],"class_list":["post-16770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/548"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=16770"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16770\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/16767"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=16770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=16770"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=16770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}