{"id":16589,"date":"2024-03-29T13:07:54","date_gmt":"2024-03-29T13:07:54","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/zone-of-interest-and-glazergate-the-director-s-challenge-and-the-zionist-response\/"},"modified":"2024-03-29T13:07:54","modified_gmt":"2024-03-29T13:07:54","slug":"zone-of-interest-and-glazergate-the-director-s-challenge-and-the-zionist-response","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/zone-of-interest-and-glazergate-the-director-s-challenge-and-the-zionist-response\/","title":{"rendered":"‘Zone of Interest’ and Glazergate: The director\u2019s challenge and the Zionist reaction"},"content":{"rendered":"

\"\"<\/p>\n

Jonathan Glazer is the Academy Award and BAFTA winning director of Zone of Interest<\/em>, a film that highlights the \u201cdehumanization\u201d going on outside the Nazi death camp of Auschwitz, where the carnage only appears on the off-screen soundtrack.<\/p>\n

He has come under attack not for anything in the film but for daring to insinuate in his Academy acceptance speech that there is an echo of the film in the \u201cdehumanizing\u201d way the genocide in Gaza is being routinely fostered, facilitated and ignored in the West.<\/p>\n

Glazer\u2019s film is about the callousness of the family of the German commandant of the death camp, whose job it is to oversee extermination. The film\u2019s perspective, in some ways all the more chilling, is that of an intimate glimpse of the family as it goes about its daily activities, surrounded by offscreen cries, screams and orders to shoot and drown the victims just beyond the family garden, as the commandant\u2019s wife claims that in their privilege, with lush vegetation and swimming pool, guaranteed by Jewish slavery, they have fulfilled the Fuhrer\u2019s dream of a living space in the east for Germans.<\/p>\n

The most incendiary part of Glazer\u2019s speech is not the claim about his Jewishness not being hijacked by the Israeli occupation of Gaza, which is what his now over 1000 Hollywood critics have focused on in a letter denouncing the speech, but rather that he had the audacity to state that his film is not just about the past but also about the present.<\/p>\n

The parallel then in the present would be in the West with those who watch this new holocaust, for that is what it is being called in the Arab world, being livestreamed and not just ignore it but actively deny that it is happening.<\/p>\n

By suggesting that it is not \u201clook what we did then\u201d but \u201clook what we do now,\u201d Glazer is in fact placing American and Western complacency, and in some cases active cheering on of the genocide in Gaza, in line with the commandant and his privileged family in the film.<\/p>\n

In this case, benefitting from the carnage, as Israel remains the key to American dominance of Middle East oil oil necessary for fuelling its allies in Europe, and proving the U.S. and its puppet Israel remain the hegemon in the region.<\/p>\n

\"Picture16\"<\/p>\n

The Zionist reaction<\/em><\/p>\n

The attack on Glazer gives credence to this identification of the West as situating itself just outside of what has been called the concentration camp of Gaza. His attackers simply cannot stand the accusation that they are complicit in genocide. Instead they resort to Zionist arguments and talking points to refute his accusation, speaking of \u201can Israeli nation that seeks to avert its own extermination,\u201d an \u201cindigenous Jewish people defending a homeland\u201d and a \u201cdistortion of history.\u201d<\/p>\n

The \u201cextermination\u201d is not being carried out by the Palestinians, but by the Zionists against the actual indigenous people of the region, who 75 years ago saw their homeland usurped by the creation of the apartheid state.<\/p>\n

This was perhaps a new homeland but also, as members of the U.S. military have often described it, an \u201cAmerican aircraft carrier in the Middle East.\u201d Each day we, in our privileged position outside the camp in the garden where life goes on as usual, hear the sounds and watch as the terror increases, now at the point with way more than the official number of 30,000 Palestinians dead and with Al Jazeera reporting that 25,000 of them are women and children.<\/p>\n

Israel is of course worried that the gunshots are too noisy and might disturb us in our gardens, so now they have decided on the more \u201chumane\u201d method of mass starvation, though they are not above mowing down Palestinians who when one of the few food aid trucks gets through the clamour for the food.<\/p>\n

\"images<\/p>\n

The <\/em>Zone of Interest: Languishing by the pool\u00a0<\/em><\/p>\n

If any voices are raised to challenge this carnage, as Glazer\u2019s was, the attempt is to quickly silence them. Then, we can all go back to our finely manicured front lawns and backyards as we join Commandant Rolf, his wife, and their children at the pool. \u00a0 \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Jonathan Glazer is the Academy Award and BAFTA winning director of Zone of Interest, a film that highlights the \u201cdehumanization\u201d going on outside the Nazi death camp…<\/p>\n","protected":false},"author":472,"featured_media":16582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1664],"tags":[2957,2950,3054,2164],"class_list":["post-16589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-2","tag-gaza-genocide","tag-holocaust","tag-jonathan-glazer","tag-zionism"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/472"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=16589"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/16589\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/16582"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=16589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=16589"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=16589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}