![\"\"](\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/02\/2079149890993c6ada78d8af35e38868.jpg\")
<\/p>\n<\/p>\n
Farid Bitar’s Testament \/ Saj\u00e9l,<\/em> as its title suggests, is a testament to our tempestuous times, taking in the seismic events and vicissitudes of the past few years, including the Covid-19 pandemic of 2020-22, and the Black Lives Matter movement in response to the death of George Floyd. But perhaps unsurprisingly, the current and agonisingly ongoing Israeli seige of Gaza, and mass displacement of Gazans, which some term the second Palestinian catastrophe or Nakba, dominates this collection.<\/p>\n Farid Bitar is one of many contemporary Palestinian poets who are bearing witness through their poetries to a second Nakba, and quite apart from artistic qualities the sheer emotional courage of such output at this time must be applauded. Bitar is a poet who has spoken out before in his work on the Palestinian plight, in collections such as Screaming Olives<\/em> (Smokestack Books, 2021), and in Testament \/ Saj\u00e9l<\/em> there is a further cementing of this polemical resolve, but interweaving all is a verse of deliverance. Farid has also illustrated the book with 34 beautiful images, like this one:<\/p>\n This is the poetry of trauma. But in spite of the bitterest of experiences, Bitar’s is a spirited poetry, a poetry of hope, which Culture Matters<\/strong> is proud to publish, particularly at this catastrophic time for all Palestinians.\u00a050% of sales proceeds witll go to Medical Aid for Palestinians.<\/a><\/p>\n![\"FB](\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2024\/02\/FB_image_resized.jpg\")
\u00a0<\/p>\n