{"id":14531,"date":"2022-04-18T08:10:11","date_gmt":"2022-04-18T07:10:11","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/christ-tries-to-enter-global-britain-easter-2022\/"},"modified":"2022-04-18T08:10:11","modified_gmt":"2022-04-18T07:10:11","slug":"christ-tries-to-enter-global-britain-easter-2022","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/christ-tries-to-enter-global-britain-easter-2022\/","title":{"rendered":"Christ tries to enter Global Britain,\u00a0Easter 2022"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-14529\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014.jpg\" alt=\"\" width=\"1600\" height=\"1041\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014.jpg 1600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-600x390.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-300x195.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-441x287.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-768x500.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-1536x999.jpg 1536w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2022\/04\/91154518c6f0cafa827116d9e4363014-10x7.jpg 10w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>Christ tries to enter Global Britain,\u00a0Easter 2022<\/strong><\/span><\/p>\n<p><em>by Chris Nash<\/em><\/p>\n<p>Adrian Henri, beat poet brother<br \/>creator of Christ\u2019s entry in 1964<br \/>to free-verse,<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 free-jazz,<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 free-love<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Liverpool,<br \/>the happenings have all happened;<br \/>while we were waiting, agitating,<br \/>for fresh colours to grow in the Union Jack,<br \/>your pop-parade of progress passed by;<br \/>the chip papers playing at our feet<br \/>mutated into EDL flyers, selling fear,<br \/>till headlines of hate litter Dover beach<br \/>where England and the horizons meet.<\/p>\n<p>He knelt, exhausted <br \/>on the shingle, <br \/>a single male,<br \/>on international terrorism lists<br \/>for attacks on a temple <br \/>his Home office label<br \/>\u2018a dangerous anti-capitalist\u2019<\/p>\n<p><em>\u201cCall me Jesus, of brown-skinned descent,<\/em><br \/><em>I confess, I am an illegal immigrant<\/em><br \/><em>I teach truths without borders.<\/em><br \/><em>Illegal, to be born without a father,<\/em><br \/><em>illegal, my migrant desperate flight<\/em><br \/><em>to Egypt\u2019s sheltering sanctuary<\/em><br \/><em>away from Herod\u2019s genocide, his cruelty;<\/em><br \/><em>illegal my years of wandering<\/em><br \/><em>a healer without licence or authority;<\/em><br \/><em>my words, thorns in the sides<\/em><br \/><em>of Romans, Sanhedrin\u2019s, Pharisees;<\/em><br \/><em>illegal my cleansing of the temple<\/em><br \/><em>my deeds of holy redeeming disgust<\/em><br \/><em>that put me on their terrorism list;<\/em><br \/><em>illegal my entry to Jerusalem on a donkey<\/em><br \/><em>accused of Revolution and anarchy<\/em><br \/><em>for sowing the seeds of unruly love;<\/em><br \/><em>illegally hanging on a rough cross<\/em><br \/><em>abandoned and beyond all loss<\/em><br \/><em>till I denied death by resurrection:<\/em><br \/><em>illegally washed on Dover\u2019s stony shore<\/em><br \/><em>I ask refugee status, no less, no more,<\/em><br \/><em>my cheek turned for an official\u2019s kiss,<\/em><br \/><em>arms outstretched for England\u2019s justice.\u201d<\/em><\/p>\n<p>bare head bowed, he stands on the shore,<br \/>haloed by security cameras and UK law<\/p>\n<p><em>\u201cWhile we retro-danced the day away<\/em><br \/><em>at a union flag, nostalgia festooned<\/em><br \/><em>Brexit festival of Britain on the beach:<\/em><br \/><em>We loved Love Me Do to the sixties;<\/em><br \/><em>We Dancing Queened the seventies;<\/em><br \/><em>We Madonnaed the eighties away;<\/em><br \/><em>We Elton Johned the naughty nineties;<\/em><br \/><em>We Britneyed to new millennium dreams;<\/em><br \/><em>We Biebered through the 20teens:<\/em><br \/><em>Clinging to innocence, we were groomed.\u201d<\/em><\/p>\n<p>The unfamiliar rhythms of other shores<br \/>were not unheard, but too easily ignored, <br \/>memories dissolving with sugar spoons,<br \/>in warm, shallow waves of radio tunes.<\/p>\n<p>On his shoulders they put a blanket,<br \/>on his healing hands, handcuff bracelets.<br \/>He babbled on, advised to remain silent<br \/>a crowd stared, unsure what he meant,<br \/>by the thorns of love\u2019s trials and torment.<br \/>In a stir of Jamaican coffee on the esplanade,<br \/>can you hear the ringing feet of a child runaway.<\/p>\n<p>The depths of history will not be still<br \/>along Dover beach, broken hands<br \/>are washing up among the wet sands<br \/>where Nzinga\u2019s daughters once sang;<br \/>Broken hands bound in manacle rings<br \/>discarded bodies of slave ship Zong.<\/p>\n<p>Churchmen who intone so fervently <br \/>the duty of compassionate slavery;<br \/>Gangs whose profits thrive on human trade<br \/>first licensed for slavery\u2019s runaways,<br \/>slaves, labourers, the equally illegal<br \/>entered in their register of \u2018disposables\u2019.<\/p>\n<p>And as we drove home, mile after mile<br \/>in the gathering dark of an inner exile,<br \/>adrift on a twig of raft, so far out to sea<br \/>a mother, a child, hands joined in frailty.<\/p>\n<p><strong>Note:<\/strong><\/p>\n<p><em>Queen Nzinga (Nzinga Mbande), 1583\u2014 1663, was the monarch of the Mbundu people, was a resilient leader who fought against the Portuguese and their expanding slave trade in Central Africa.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christ tries to enter Global Britain,\u00a0Easter 2022 by Chris Nash Adrian Henri, beat poet brothercreator of Christ\u2019s entry in 1964to free-verse,\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 free-jazz,\u00a0&#8230;<\/p>\n","protected":false},"author":550,"featured_media":14529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[],"class_list":["post-14531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/14531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/550"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=14531"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/14531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/14529"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=14531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=14531"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=14531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}