{"id":13281,"date":"2020-04-10T09:25:56","date_gmt":"2020-04-10T08:25:56","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/easter-rising-1916-the-man-upright-by-thomas-macdonagh\/"},"modified":"2020-04-10T09:25:56","modified_gmt":"2020-04-10T08:25:56","slug":"easter-rising-1916-the-man-upright-by-thomas-macdonagh","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/easter-rising-1916-the-man-upright-by-thomas-macdonagh\/","title":{"rendered":"Easter Rising 1916: The Man Upright, by Thomas MacDonagh"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-13280\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/04\/0a55de8026861e22e1f75ec6aecfb7e0.jpg\" alt=\"\" width=\"220\" height=\"324\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/04\/0a55de8026861e22e1f75ec6aecfb7e0.jpg 220w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/04\/0a55de8026861e22e1f75ec6aecfb7e0-204x300.jpg 204w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/04\/0a55de8026861e22e1f75ec6aecfb7e0-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/04\/0a55de8026861e22e1f75ec6aecfb7e0-7x10.jpg 7w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/p>\n<p><em><strong>Jenny Farrell <\/strong>presents the\u00a0second of the four poems written by leaders of the 1916 Easter Rising, the first anti-imperialist uprising in Europe. Here is Thomas MacDonagh\u2019s \u201cThe Man Upright\u201d, written in 1911\/12, which reveals MacDonagh\u2019s view of the crippling effect of colonialism.<\/em><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>The Man Upright<\/strong><\/span><\/p>\n<p><em>by Thomas MacDonagh<\/em><\/p>\n<p>I once spent an evening in a village<br \/> Where the people are all taken up with tillage,<br \/> Or do some business in a small way<br \/> Among themselves, and all the day<br \/> Go crooked, doubled to half their size,<br \/> Both working and loafing, with their eyes<br \/> Stuck in the ground or in a board, &#8211;<br \/> For some of them tailor, and some of them hoard<br \/> Pence in a till in their little shops,<br \/> And some of them shoe-soles &#8211; they get the tops<br \/> Ready-made from England, and they die cobblers &#8211;<br \/> All bent up double, a village of hobblers <br \/> And slouchers and squatters, whether they straggle<br \/> Up and down, or bend to haggle<br \/> Over a counter, or bend at a plough,<br \/> Or to dig with a spade, or to milk a cow,<br \/> Or to shove the goose-iron stiffly along<br \/> The stuff on the sleeve-board, or lace the fong<br \/> In the boot on the last, or to draw the wax-end<br \/> Tight cross-ways &#8211; and so to make or to mend<br \/> What will soon be worn out by the crooked people.<br \/> The only thing straight in the place was the steeple,<br \/> I thought at first. I was wrong in that;<br \/> For there past the window at which I sat <br \/> Watching the crooked little men<br \/> Go slouching, and with the gait of a hen<br \/> An odd little woman go pattering past,<br \/> And the cobbler crouching over his last<br \/> In the window opposite, and next door <br \/> The tailor squatting inside on the floor &#8211;<br \/> While I watched them, as I have said before,<br \/> And thought that only the steeple was straight,<br \/> There came a man of a different gait &#8211;<br \/> A man who neither slouched nor pattered,<br \/> But planted his steps as if each step mattered;<br \/> Yet walked down the middle of the street<br \/> Not like a policeman on his beat,<br \/> But like a man with nothing to do<br \/> Except walk straight upright like me and you.<\/p>\n<p>\u00a0This is a very easy, entertaining poem with a serious point. It begins almost like a limerick, sets jocular tone, rhymes aabb etc. It is an observation by an outsider: \u201cI once spent an evening in a village\u201d. The people in this village work in farming or small business. All day long, they walk crooked, doubled over \u201cto half their size\u201d. Increasingly we get the impression of <em>colonial subjects <\/em>in Ireland, who do not have the confidence to stand upright, nor, it seems, have they a vision of where their lives are going: \u201cwith their eyes\/ Stuck in the ground\u201d. Those who work in small trades receive their materials from England, rather than Ireland, increasing their economic dependence. Cobblers, for example, \u201cget the tops \/ Ready-made from England\u201d. MacDonagh\u2019s description of the villagers is uncomplimentary to say the least: \u201ca village of hobblers \/ And slouchers and squatters, whether they straggle \/ Up and down, or bend to haggle \/ Over a counter, or bend at a plough,\u201d \u2026 He depicts them as people who are utterly crippled in their humanity. No matter what they do for work, they are obliged to bend down. Rather than work expressing their humanity, it acts as their master.<\/p>\n<p>Midway through the poem, we hear that there is something visibly straight in this village of the damned: \u201cThe only thing straight in the place was the steeple\u201d. This may well refer to the additional control by the Church over these people. The contrast is very striking to the humbleness and lack of confidence described up to this point. The next line extends this initial surprise into something more significant. It contains the poem\u2019s only caesura and turns the whole flow of the poem around: \u201cI thought at first. I was wrong in that\u201d. The reader\u2019s expectation is heightened as the speaker for the sake of emphasis returns for a moment to the crooked villagers and then exclaims: \u201cThere came a man of a different gait &#8211; \/ A man who neither slouched nor pattered\u201d. In fact, this man is said to be \u201clike a man with nothing to do \/ Except walk straight upright like me and you.\u201d Walking upright is the main purpose of this man\u2019s life &#8211; like struggling for an independent socialist republic, it&#8217;s the obvious and straightforward thing to do.<\/p>\n<p>Following the defeat of the Rising, Thomas MacDonagh was\u00a0court martialed and\u00a0executed by firing squad\u00a0on 3 May 1916, aged just thirty-eight.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenny Farrell presents the\u00a0second of the four poems written by leaders of the 1916 Easter Rising, the first anti-imperialist uprising in Europe. Here is Thomas MacDonagh\u2019s \u201cThe&#8230;<\/p>\n","protected":false},"author":456,"featured_media":13280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[1900],"class_list":["post-13281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2","tag-easter-rising"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/13281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/456"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=13281"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/13281\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/13280"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=13281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=13281"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=13281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}