{"id":13185,"date":"2020-01-30T18:55:09","date_gmt":"2020-01-30T18:55:09","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/turning-slavery-into-art\/"},"modified":"2020-01-30T18:55:09","modified_gmt":"2020-01-30T18:55:09","slug":"turning-slavery-into-art","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/turning-slavery-into-art\/","title":{"rendered":"Turning Slavery into Art"},"content":{"rendered":"<img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-13184\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9.jpg\" alt=\"by Chris Killip\" class=\"caption\" title=\"Process Worker, Pirelli\" width=\"1536\" height=\"1201\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9.jpg 1536w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-600x469.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-300x235.jpg 300w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-441x345.jpg 441w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-768x601.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2020\/01\/f8b47abb20d040148d203711524f8de9-10x8.jpg 10w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/>\n<p><span style=\"font-size: 14pt;\"><strong>Turning Slavery Into Art<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><\/span><em>by Fred Voss<\/em><\/p>\n<p>\u201cThis is slavery,\u201d<br \/>Armando on the old manual milling machine says<br \/>and smiles<br \/>his ironic smile<br \/>as all the shop machinists fire up their machines and drop denim or leather aprons<br \/>around their necks as the time clock ticks<br \/>\u201cEvery day, the same, every day<br \/>here on the dot every day<br \/>doing what they say whether we like it<br \/>or not\u2026.\u201d Armando says<br \/>his wistful eyes looking through the factory tin wall toward some distant star<br \/>on the horizon<br \/>this man pushing 60<br \/>who long ago wanted to be an astronomer but found himself starving as he tried to pay<br \/>for graduate school<br \/>and I think of mentioning Marx<br \/>and wage slaves and surplus labor and capitalist vampires sucking the life blood<br \/>out of men like him and me<br \/>the book on existential alienation I read in college<br \/>Neruda<br \/>writing poems about the American corporations working Chilean peasants to death then throwing<br \/> them away<br \/>like rotten fruit<br \/>but Armando<br \/>has already summed it all up<br \/>and I just say, \u201cI know what you mean\u2026.\u201d<br \/>and we nod to each other and he turns<br \/>to his machine to work on one of his incredibly creative and imaginative job setups<br \/>with 1-2-3 blocks and U-clamps and nuts and bolts and hoses and C-clamps <br \/>and trigonometric angle sine bars and 90-degree plates and machinist square<br \/>and one-thousandth-of-an-inch-accurate Jo Blocks<br \/>all arranged across his machine table in original<br \/>beautiful ways<br \/>and I tell him once again how I\u2019d like to take a photograph<br \/>of his beautiful setup and he laughs in delight<br \/>and I walk away toward my machine long ago having dropped out of the U.C.L.A.<br \/>English literature Ph.D. school and already<br \/>writing this poem in my head<br \/>about Armando and me<br \/>2 men<br \/>who have found a way to turn their job in this machine shop<br \/>into something special<br \/>no manager in his office will ever know or understand<br \/>2 men<br \/>who could have gotten degrees and put on white shirts<br \/>turning slavery<br \/>into art.<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Turning Slavery Into Art by Fred Voss \u201cThis is slavery,\u201dArmando on the old manual milling machine saysand smileshis ironic smileas all the shop machinists fire up their&#8230;<\/p>\n","protected":false},"author":432,"featured_media":13184,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[],"class_list":["post-13185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/13185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/432"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=13185"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/13185\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/13184"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=13185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=13185"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=13185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}