{"id":12810,"date":"2018-12-21T10:09:02","date_gmt":"2018-12-21T10:09:02","guid":{"rendered":"https:\/\/www.gfdesign.co.uk\/culture\/share-the-segments-and-abandon-yourself-two-christmas-poems-from-jane-burn\/"},"modified":"2018-12-21T10:09:02","modified_gmt":"2018-12-21T10:09:02","slug":"share-the-segments-and-abandon-yourself-two-christmas-poems-from-jane-burn","status":"publish","type":"post","link":"http:\/\/www.gfdesign.co.uk\/culture\/share-the-segments-and-abandon-yourself-two-christmas-poems-from-jane-burn\/","title":{"rendered":"Share the segments and abandon yourself: two poems by Jane Burn"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-12809\" src=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef.jpg\" alt=\"by Jane Burn\" width=\"864\" height=\"1115\" srcset=\"http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef.jpg 864w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-600x774.jpg 600w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-232x300.jpg 232w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-342x441.jpg 342w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-768x991.jpg 768w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-1x1.jpg 1w, http:\/\/www.gfdesign.co.uk\/culture\/wp-content\/uploads\/2018\/12\/2ff57e4c998b8bca31c8c60dbbfa09ef-8x10.jpg 8w\" sizes=\"auto, (max-width: 864px) 100vw, 864px\" \/><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>The Orange in the Stocking<\/strong><\/span><\/p>\n<p><em>by Jane Burn<\/em><\/p>\n<p>The scent of citrus fills the quiet room <br \/>as socks swing from the radiant mantelpiece \u2013 <br \/>a conga line of Nora Batty\u2019s legs. Warmth<\/p>\n<p>from the fireplace rises, dances them in its drift \u2013 <br \/>when we are asleep on Christmas Eve, they make <br \/>their own celebration, kick like a chorus line,<\/p>\n<p>jingle their inner treats. Inside each toe, a bulge \u2013 <br \/>year after year, tradition places it there. It waits<br \/>to be discovered, to offer its sweet to our lips.<\/p>\n<p>Hull it as you would a brightly packaged gift. <br \/>It\u2019s sharp, delicious taste cuts through this day <br \/>of bloat and richness. Here are vitamins,<\/p>\n<p>here is something not foil-bound, not factory-bred,<br \/>its bauble plucked from a laden tree. Pips swim<br \/>the juice of its breast, tell a story of birth. It\u2019s wrap<\/p>\n<p>will nourish compost, not clog up landfill with scrap. <br \/>Thumb the centre, pare away each jewel. The segments <br \/>were made to be offered. It asks to be shared.<\/p>\n<p>\u00a0<\/p>\n<p><span style=\"font-size: 14pt;\"><strong>The Year of Abandoned Self<\/strong><\/span><\/p>\n<p><em>by Jane Burn<\/em><\/p>\n<p>I am become entirely used to the things my head invents \u2013 <br \/>they might be visions of futures, of secrets, of hell. They might <br \/>be prophetic \u2013 I ought to be writing them down. William Blake<\/p>\n<p>saw angels in the trees \u2013 if it\u2019s alright for him, it ought to be okay<br \/>for me. Ezekiel saw wings and faces, wheels in wheels. I saw <br \/>this murky figure unfurl beneath a motorway bridge, clung like a bat,<\/p>\n<p>one time I was tired near Gatwick, late at night. His lips were bone, <br \/>his spew of garbage laughter spilled like sick \u2013 I think he was waiting <br \/>for me to crash. I saw bundles of sheep as I walked on the path,<\/p>\n<p>candy rainbow colours fleeced their happy backs \u2013 they were made <br \/>from pixels, tiny squares of bubble and bright, like a Super Mario zoo. <br \/>They smiled as I put my boot to their heads, trying to tamp them down \u2013<\/p>\n<p>it was a mockery. I saw a leather wingback chair melt around my friend, <br \/>the burgundy run like blood \u2013 she had no idea, just drank her tea, <br \/>told me this and that, all nonsense, of no matter fluff. I thought<\/p>\n<p>I want to go home. If I stay longer, she\u2019ll drown. I have given up <br \/>thinking I have edges \u2013 I am soft as sea-mumbled stuff. I am meld.<br \/>Listen to my rambling. All the ghosts \u2013 infestations in the corner<\/p>\n<p>of my eyes like wisps, like smoke, are with me all the time. I\u2019m <br \/>a poor man\u2019s Gormenghast, bargain basement Gundabad \u2013 come <br \/>to the home of the cracked. I saw road signs pluck from tarmac roots<\/p>\n<p>and run along with my car, grins on their flat metal faces, mouths <br \/>made of zeroes, eyebrows made from fives. We sang it\u2019s a small world <br \/>after all, that Disney thing \u2013 quite merry, considering that I\u2019m properly<\/p>\n<p>fucking mad. Imagine keeping such secrets when you are dying to tell. <br \/>The dogs help root through the woodpile for clues \u2013 they believe <br \/>in everything I say, that\u2019s how I know I\u2019m right. I can\u2019t remember<\/p>\n<p>stashing all this broken glass. The woodlice nest like a plot, flit <br \/>like troubled consciences, out of sight. I am paranoia, I am Armageddon. <br \/>I\u2019m beautiful, I\u2019m a dungeon. I\u2019m the second coming of Christ.<\/p>\n<p><em>This poem was first published in <a href=\"https:\/\/www.strixleeds.com\/about\/\">Strix<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Orange in the Stocking by Jane Burn The scent of citrus fills the quiet room as socks swing from the radiant mantelpiece \u2013 a conga line&#8230;<\/p>\n","protected":false},"author":425,"featured_media":12809,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1660],"tags":[],"class_list":["post-12810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry-2"],"_links":{"self":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/12810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/users\/425"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/comments?post=12810"}],"version-history":[{"count":0,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/posts\/12810\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media\/12809"}],"wp:attachment":[{"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/media?parent=12810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/categories?post=12810"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gfdesign.co.uk\/culture\/wp-json\/wp\/v2\/tags?post=12810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}